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Movie Review: Stalin

Oh how the mighty have fallen! A R Murugadoss, who gave us the fantastic Ghajini last year, is back this year with a bucket of old tripe called Stalin. I, for one, am convinced that the only reason good folks around the globe are putting down their hard-earned money is because it has the ‘mega star’ Chiranjeevi in it. From Chiru’s point of view, he delivers a decent message, possibly laying the groundwork for his political career but the movie is just one big washout.

The story is nothing new - the hero is this champion do-gooder, an Indian Army Major, who has been discharged due to some mysterious reasons. His hankering to spread goodwill amongst his fellowmen comes to fruition with his pyramid-scheme plan of helping three strangers, who help three others and there on, it spreads (members of GoldQuest take note) to include the general population. He thus helps a mum get an infant back, who in turn, helps somebody else and the chain carries on, and on, till the climax when one of the benefactors of said scheme ends up helping Chiru make an escape from the villain’s henchmen. But the way it has been portrayed, the plan progresses rather one-dimensionally, instead of the envisaged pyramid format.

In the course of the day, he comes across a semi-thug, whose FIL is the real thug (Prakash Raj in one of his most pathetic roles) who want to thrash the life out of him. Helpfully enters Trisha into his life, to provide the necessary leverage for the villain’s goondas to collar her and start yet another fight with the hero.

The movie continues along the same vein, a few song and dance routines in far-flung exotic locales interspersed with action sequences, which finally end in a climax sequence, where the hero is fighting for his life in hospital, after fighting off Prakash Raj’s goons as well as the assorted junta who had gathered around to watch the shooting but who were roped in when the supply of baddies ran out, with the doctors trying to patch him up. The docs cave in half-way as an old Army injury (the real reason why the man got the boot - that it was a medical one and as such, might be of slight importance to him totally escapes everyone’s notice) threatens to get worse but the hero’s brother shouts at and pleads with the medico in turns, who then does an about turn and starts where he left off and hey presto! the man wakes up to thank the auto fella who drove the vehicle that helped him escape the baddies who were chasing him down the highway who, just happened to be one who benefited from the ‘help 3 people pyramid scheme’ hatched by said hero, who is thrilled to bits to hear the success of his plan. Phew! Of course, by now, most of Andhra Pradesh is camped outside the hospital, praying for the hero’s recovery.


How many more times will we be served this same old, left over tripe, glossed over with just enough glaze to pass off as a new movie? I have had it. This movie has so many holes in it that it can put any slice of Swiss cheese to shame. Granted, helping others is a good concept and post-Munnabhai, a lot of movies seem to be going this route but why the rest of the palaver to deliver this simple message?

There is none of the professionalism the director exhibited in his previous venture. The movie comes across as a B-grade imitation affair which is real sad, really. Take, for example, the scene where the hero puts his ‘help three strangers’ plan into action. The first person he helps is a mum, who has left her baby in her car (helpfully leaving the keys on the door) while she goes to the pharmacy. The hero and his sis happen to walk past the car, even as the baby starts to wail, open the car (!), take the baby out and take it around the shops, asking if the shopkeepers had seen the baby’s mother (!!). By now, the mum has got back to the car, which unfortunately has been towed by the traffic police (!!!). In a state, she gets to the impound lot and gets to the car instantly (!!!!) but of course, there isn’t a baby inside the car. She starts hitting the police asking everyone where’s her baby. No one helpfully points out to her then or ever, what an idiot she was to leave her baby all alone in the car, along with the keys, whilst she went shopping.

The hero has of course, rescued the infant and has left his details with the R.T.O office, who trace the car and give him the owner’s details. Hero takes baby to its home and rejoins its with its mum, first imploring with the happy dad to help three strangers. This whole parody had me in stitches, I tell you. Where in our country do we get such a wonderous group of people, pray tell me, that turn out such examples of instant service? And who are we talking about here - the traffic police, the impound lot, the blessed RTO office, for chrissake! In which opiate dream did they become so?

There are loads more rib-tickling moments of similar nature, the fight sequences, for instance. The stunt-director seems to have been inspired by Hot Shots: Part Deux - thugs literally fling themselves at Chiru from all directions who simply spins about and poof! they fall down like dominoes! This is the way every single fight is choreographed baddie runs headlong into hero, only to go flying out and ends up on his face; baddie 2 follows suit next second and so on the routine continues till the supply of baddies is exhausted.

Trisha seems to be there in the film purely for decorative purposes. But if she gets to take home a cool Rs 25 lakhs (rumoured to be much more) for wearing skimpy outfits and shaking a leg in exotic beaches, then hey, I’m sure she’d sign on the dotted line a few more times. Though I am sure she can swim passably, she has to work on the rest of it. Being shown as a champion swimmer is one thing, but jumping into water to start off a race with all the finesse of a sack of potatoes is another. Oh and the fact that she looks and is, young enough to be Chiru's daughter shall not be mentioned, ever!

Khushboo fits the part of big sis comfortably and does justice to her role, as does Sharadha, who plays their mum. Sunil in a light-hearted role with some serious overtones comes up trumps. The rest of the cast is there just to add strength to the numbers. The cameraman's awe of the mega star is visible in every frame as the camera simply dances away merrily, giving everyone watching sore eyes. The soundtrack is instantly forgettable; none of the songs even registered in my mind even while I was watching the film.

Strictly for die-hard Chiru fans ONLY. Rest of you can stay at home, relax with your favourite HotShots DVD.

Posted by DesiGirl 10:25 PM  


  1. ajit said...
    hihihihihihihihihihihiiihi that is very nice pic trisha is my dream girl i want to marry with her
    ajit said...
    i m serious thats not joke

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